采得百花成蜜后

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主演:Fred Jaggi,Randolf Menzel,John Miller,Liane Singer,Heidrun Singer,Zhao Su Zhang,Fred Terry,Boris Baer,Joseph MacIlvaine,André Maritz,Layne Pauly,Robert Schneider,Eric Robinson,Elisabeth Schild,Tiffany Bate,罗伯特·亨格-布勒,夏尔·贝尔林

类型:电影地区:其它语言:其它年份:2012

 量子

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 剧照

采得百花成蜜后 剧照 NO.1采得百花成蜜后 剧照 NO.2采得百花成蜜后 剧照 NO.3采得百花成蜜后 剧照 NO.4采得百花成蜜后 剧照 NO.5采得百花成蜜后 剧照 NO.6

 剧情介绍

采得百花成蜜后电影免费高清在线观看全集。
  耀眼的自然风光,奥斯卡奖提名导演:马库斯 依穆胡夫足迹踏遍全球,途径加利福尼亚州,瑞士,中国和澳大利亚,探寻濒临灭绝的蜜蜂种族。这是一次比以往任何有关蜜蜂主题的电影都更雄心勃勃的电影。  爱因斯坦说过:如果蜜蜂绝种,人类也活不过四年。蜜蜂的末日,已近在咫尺,大陆正用人手传播花粉!纪录片名导蛰伏多年再出手,全因家族是养蜂人,爱蜂如命。严可夫走遍四大洲,揭开蜜蜂不住消失的真相。自由市场大量生产的制动一开,生产线最底层的蜜蜂最受压迫,恶菌、杂交、农药、抗生素、人为迁徙,在在都极致命。先进摄影技术令我们身处蜂巢,鑽进蜂群,更见证蜂后空中交配。犹如蜜蜂主观镜诉说的一部动听警世的《摩登时代》,去年最令人期待的纪录片。  瑞士电影导演Markus Imhoof的纪实影片《比蜂蜜更多》(More Than Honey)用大量的实际素材探讨了蜜蜂死亡的原因。《比蜂蜜更多》(More Than Honey)于2012年8月11日在洛迦诺电影节首映影片之所以震撼,还因为它采用的原始素材有105小时之长! 此外,有些蜜蜂的镜头还是由迷你蜜蜂摄影器拍摄的阴阳画皮迷失第二季夢中劍国土安全第一季渝辣香辣南拳王II气壮山河城市猎人(国语版)爱之尽深宫遗梦世界,众生和恶魔绽放2008寒夜星暖萤火奇兵2:小虫不好惹贴身女保镖乐园之夜一封迟来的信两句话恐怖故事第三季恶搞之家第十五季四十度晒痛症医师车耀汉情书1981情事1998舞台盗墓笔记之沙海真爱导游冷血坏特工怪人怪事反派梦幻强尼巴顿·芬克第二次握手开玩笑第二季兄弟2021求婚大作战日暮之歌工具箱杀手1978零秒出手:悬崖上的英雄外出就餐4:戏剧营提防小手国语斯慕奇之死

 长篇影评

 1 ) 遥遥无期

在这里只想简单说一两句。无论是蜜蜂的生态以及深入的研究,还是就人类而言的观察视角,我认为本片都没有讲清楚。事实上我估计导演只是想做出一种展示,将世界各地驯养蜜蜂的这件事、以及人类在采取商业化态度的时候,对蜜蜂族群的伤害加以披露,然而实际上,我认为整部作品最大的遗漏是——我们对这种生命形式、以及由女王引领的昆虫社群,依然几乎一无所知。我猜想蜜蜂和花朵、以及采集花粉的行为、与建设的六芒星形状的巢穴,还有女王的看似阶级化的社会布局,可能在某种不为人知的地方有着神秘的联系。但可惜的是,我们虽然看到人类采取的养蜂取蜜的行为以及商业化方面的令人发指,但却忘记蜂蜜也是为数不多由昆虫制作、可以同时作为昆虫与人类的食物之一。而从这个角度来说,我们对蜜蜂以及我们所食用的蜂蜜的了解的进程,几乎是遥遥无期的。

 2 ) 【译】Honeybees - A Compass Point

By Michael Joshin Thiele

When we enter the life of honeybees, we venture into a multidimensional landscape of being. Their 'ecology of selves' is as rich and all-pervading as it is intimately connected with the entire biosphere and our cultural life-sphere. As we know, their survival and well-being is critical for that of our own. From this realization emerges an intimacy which can be a guiding principle for our relationships with bees and a resource for our quest to find ways to provide for them on our farms, within our landscapes, and our local watersheds. The current zeitgeist seems to lead us naturally to inquire how we can create a holistic framework and engage with honeybees in a truly bee-centric fashion?

What kind of phenomenon does it represent? The nature of honeybees – which I would like to refer to from here on as the onebeeing is complex, fluid and appears to integrate polar opposite qualities. The surprising mammalian-like qualities in an insect body, and the singularity of the macro-organism, which consists out of thousands of individuals, are examples of the multidimensionality of its being. The onebeeing is a vastly dynamic life form, exhibiting a breathtaking degree of plasticity and flexibility. Its own tissue consists of thousands of individual bees, who are the medium for countless physiological processes ranging from metabolism, gestation, sense perception, and neurological processing. What is unique is that the onebeeing functions as if it were undifferentiated tissue. No specific organ seems to appear, and yet all normal functions of inner organs are present. This tissue acts like stem cell tissue without ever losing a complete open dynamic state of evolving according to current needs. Its receptivity and aliveness towards formative forces and fields in general transforms this tissue-like 'gathering of individuals' into a new dimension of life.

The onebeeing is a network of interrelations. Unlike our own default sense of self, hers is not defined as a living being separate from the world, but rather as being part of the world through intimate belonging. Her sense of self is created in dynamic and multidimensional processes, as if she were embodying a network of multiple selves. We could almost say that she 'are' more other than self. This cornucopia of levels of selves comes with a change in language, as if common grammar was unable to reflect this phenomenon. What follows is a reshaping of our perception and understanding of 'them', and an inward shift of our frame of reference. Our own identity becomes more fluid, more open. Who 'is' we?

The symbiotic and relational quality of the onebeeing is beautifully expressed in the place of home, as the typical nest is located within another being, namely within the womb of a tree. It is a place of physical and emotional warmth, one of inwardness and sensing. It is often to be found high up in trees and therefore suspends the onebeeing between heaven and earth. It does not fully belong to the earth, but rather leans towards her. Hollows in trees have been the natural nesting site of the onebeeing for millions of years. The typical hollow develops over several years, if not decades, in trees in the aftermath of an injury. In the process, microorganisms, insects, and vertebras contribute to the shaping of the final nest hollow. Eventually the offspring of a onebeeing, also known as swarm, will find the hollow and establish a nesting site which can, depending on the tree species, stay viable for centuries. As the hollow transforms into the nest site of the onebeeing, it undergoes several changes. Specific to this new inner environment, over 200 symbiotic insects and around 8,000 microorganisms join the onebeeing and form a new unit of its own kind. This 'ecology of selves' represents the foundation of health, aliveness, happiness, and balance. This kind of nest is the true home of the onebeeing. In utter darkness and within an undisturbed and protected nest, white comb emerges and grows in natural ways, as it can freely follow her instinctual preferences. Comb is never moved, nor are any blue prints or implants, otherwise known as foundation, given. Only in such an environment can the onebeeing unfold her embodiment fully and freely. On a fundamental level, a birth right is granted: the birth right to be fully herself. The question arises how this natural home can become our reference for a holistic paradigm of apiculture? And how can we integrate this rich and complex focal point into our farms and our watersheds?

Earlier this year I went to Flagstaff, AZ to teach a weekend course on the subject. We were a diverse group of apiculturists, gardeners, and educators all united in a gesture of honoring the onebeeing and in finding new reference points for our life with bees. One of our activities was an experiential group exercise of receptive listing, similar to that of systemic constellation work. As a 'gathering of individuals', we not only entered an open ended process of listening and becoming, but we also entered into a field-like medium, a soulful awareness of being alive. This is what we can call 'Apisophia', the wisdom of the onebeeing. It is a wisdom which can be an inspiration in all aspects of our lives and a compass point for times of uncertainty.

Our farms and watersheds are trans-species organisms and diverse ecologies of selves, in which we live and are part of. The unique nature of the onebeeing can be a resource for our navigation through this greater web of life, as it teaches inclusive ways of decision making and promotes an awareness of the entanglements of our lives within the world. The onebeeing points towards an apiculture beyond bees, one that does not begin with a quest for honey, but rather with humility and a sense of prayer. It is concerned with the well-being of the web of life and a renewed human role and identity, one which is shifting away from viewing the world as 'otherness' and moves towards an awareness of being a constituent of a biotic, emotional, and spiritual community.

蜜蜂的生活向我们展示了存在(being)的多维景观。他们的“多自我的生态”(ecology of selves)既丰富又无处不在,因为它与整个生物圈和我们的文化生活圈息息相关。众所周知,他们的生存和幸福对于我们自己的生存和幸福至关重要。

从这种认识中产生了一种亲密关系,它可以成为我们与蜜蜂关系的指导原则,也可以成为我们寻求在我们的农场、在我们的景观范围内以及我们当地的流域(watershed)上为它们提供途径的资源。当前的时代精神(zeitgeist)似乎很自然地引导我们去探究我们如何能够创建一个整体框架,从而以真正以蜜蜂为中心(bee-centric)的方式与蜜蜂接触?

它代表什么样的现象?蜜蜂的本性——我想从此指称它为the onebeeing——是复杂的、流动的,似乎融合了极端(polar)相反的品质。在一只昆虫体内惊人的哺乳动物样的特质,以及由成千上万个个体组成的宏观有机体的奇异性,都是其存在的多维性的例子。The onebeeing是一种极富活力的生命形式,具有惊人的可塑性和灵活性。它的身体组织(tissue)由成千上万只个体蜜蜂组成,它们是无数生理过程的媒介,比如新陈代谢、怀孕、感官感知和神经处理。The onebeeing独特之处在于,其功能好像是未分化的身体组织。似乎没有特定的器官出现,但内脏的所有正常功能都存在。

这种身体组织就像干细胞组织一样,不会失去完全开放的动态状态,根据当前的需要进化。它对一般的形成性的力和形成性的场的可接受性和活性将这种身体组织式的‘个体的聚集’转化为一种新的生命维度。

The onebeeing是相互联系的网络。与我们自己默认的自我(self)不同,她的self不是被定义为与世界分离的有生命的存在,而是通过亲密的归属感成为世界的一部分。她的自我感(sense of self)是在动态和多维的过程中产生的,好像她体现了一个由多个自我组成的网络。我们几乎可以说,她比自我更‘他者’。这种自我层次的夸张伴随着语言的变化,仿佛普通语法无法反映这种现象。随之而来的是我们对"它们"的认知和理解的重塑,以及我们的参照系(frame of reference)的内移。我们自身的身份变得更加流动,更加开放。我们“是”谁?

Inside of beehive in hollow tree:油管BeekeepingVlog

The onebeeing的共生的和关联的品质在家的位置(the place of home)中得到了很好的表达,典型的巢位于另一存在体内,也就是树的womb内。它是身体和情感温暖的场所,是内心和感知的场所之一。它往往被发现高高在树上,因而悬置the onebeeing 于天地之间。它不完全属于大地,而是偏向于她。树上的空洞,几百万年来一直是the onebeeing的天然筑巢场所。典型的空洞在受伤后的树上发展了若干年,即使不是几十年。在此过程中,微生物、昆虫、脊椎动物帮助塑造巢穴中空洞。最终,the onebeeing的后代,也叫分蜂群(swarm),将找到空洞,建立一个巢穴,根据树种不同,可以存活数百年。

当空洞转变为the onebeeing的蜂巢位置时,它经历了几个变化。具体到这种新的内环境中,200多种共生(symbiotic)昆虫和8000多种左右的微生物共同加入其中,形成了属于自身种类的新单元(unit)。这种‘多自我的生态’代表着健康、活力、幸福、平衡的基础。这种巢是the onebeing的真正家园。在完全黑暗中,在一个未受干扰和保护的巢穴内,白色巢脾(comb)以自然的方式出现和生长,因为它可以自由地遵循她的本能偏好。巢脾从不移动,也没有任何蓝图(blue prints)或植入物(implants),否则就是给定的基础。只有在这样的环境中,the onebeing才能充分自由地展开她的具身(embodiment)。在根本层面上,生育权被赋予了:完全属于她的生育权。问题由此产生,这个自然的家园如何能够成为我们对养蜂业整体范式的借鉴?我们如何才能将这一丰富而复杂的焦点与我们的农场和水域进行整合?

今年早些时候,我去了亚利桑那州(AZ)的弗拉格斯塔夫,教了一门关于这个课题的周末课程。我们是一个多元化的群体,包括养蜂师、园丁和教育家,我们都联合在一起来表示对the onebeeing的敬意,并为我们的生活寻找新的参照点(reference points)。我们的活动之一是接受式倾听(receptive listening)的体验式小组练习,类似于系统星座练习(systemic constellation work)。作为一个“个人的聚会”,我们不仅进入了一个开放式的聆听和生成(becoming)的过程,而且我们也进入了一个 场般(field-like)的媒介,一种对活着的深情意识。这就是我们所说的“Apisophia”,即蜜蜂的智慧。这是一种可以启发我们生活的各个方面的智慧,也可以成为不确定(uncertainty)时期的指南针。

我们的农场和流域是跨物种有机体和多样化的自我的生态,我们生活在其中并成为其中的一部分。 onebeeing 的独特本质可以成为我们在这个更大的生命网络中导航的资源,因为它教导了包容性的决策方式,并促进了对我们和世界纠缠关系的认识。 onebeeing 指向一种超越蜜蜂的养蜂业(apiculture),这种养蜂业不是从索求蜂蜜开始,而是以谦逊和祈祷的态度开始。它关注生命网络的福祉以及更新的人类角色和身份,这种角色和身份正在从将世界视为“他者”转向一种意识,即成为生物上的、情感上的和精神上的共同体(community)的一个组分(constituent)。

 短评

今年首部报名参与奥斯卡最佳外语片角逐的瑞士电影,整体上还是一部严谨且中规中矩的纪录片,如果蜜蜂绝种,人类也活不过四年。这部纪录片跑遍了大半个地球就是为了寻找如今蜜蜂大量死亡的原因,揭开蜜蜂历史的面纱,一些蜜蜂的跟拍镜头让人大开眼界,特别是那个震撼的空中交配的镜头。★★★★

3分钟前
  • 亵渎电影
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人类只为两件事活着:贪婪和恐惧。没有蜜蜂,人类将失去1/3的食物。蜂王一天产2000只卵,蜜蜂触角和足部有6万个嗅觉接收器,着也是组织庞大的蜂群能够有效组织分工的原因。蜜蜂交流用摇摆舞,告诉同伴最近的采粉点和取食点。瑞士蜜蜂为了防止近亲繁殖在空中交配。蜜蜂的消亡并非因为杀虫剂、农药、螨虫、传染病、寄生虫,杀死它们的是人类文明的进程。人类把蜜蜂驯化成温顺的动物。纪录片里中国农民都是人工授粉,不过我老家果园还是蜜蜂。爱因斯坦说:人类消失四年后蜜蜂才消亡,巴西那个杀人蜂挺恐怖的。最后那个养蜂人说:我精心照料的杀螨的蜜蜂都活得不好,反而放任不管的野生的活得很好。整体看下来是聚焦环保主题的纪录片,大银幕看有点密恐。【卢米埃影城·瑞士纪录电影展】

8分钟前
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不知道是什么山,但住在那里感觉真好。还真的有摇树摘果实的机器;人不怕蜜蜂真神奇;黛玉埋葬花,老农民埋葬蜜蜂。

13分钟前
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題材太無聊

15分钟前
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蜜蜂都去哪儿了?

17分钟前
  • 颜落寒
  • 还行

不同于昨晚零介入式《蜂蜜之地》,本片有强烈的环保诉求,讲述人与蜜蜂不断形塑的历史、现在和未来,从而质疑“红皇后”式论调,批判人类中心主义,反思全球资本主义工业。最后的镜头里,蜜蜂飞出地球,飞向太空,充满了悲情的浪漫意味。

19分钟前
  • 林云开
  • 还行

21.10.17 芳草地 瑞士纪录片影展我一向很喜欢这种把人类之间容易感知的情感赋予在动物上的纪录片。

22分钟前
  • mr.left
  • 推荐

看了电影才知道我们国家有的地方已经没有蜜蜂了,要靠人工来采集和授粉

27分钟前
  • benlovingmusic
  • 力荐

今年奥斯卡最佳纪录长片的热门。看完这片有没有人想从德国海淘点女王蜂来啊。蜜蜂内部的社会体系真心复杂。

30分钟前
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美国工业化养蜂简直就跟蓄奴一样,分蜂收蜜所有操作斗野蛮粗糙,死了再从欧洲买,根本不管蜜蜂的种类,一锅端…太可怕了,简直就是看蜜蜂世界的蓄奴纪录片或者纳粹血腥工厂…我甚至都希望小蜜蜂们都和africanize bee一样凶狠独立另人类无可奈何,反正小蜜蜂只要传播花粉就可以了啊…

35分钟前
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逼死别人,这就是人类生存的全部。

37分钟前
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节奏很慢的多语种纪录片,主题比较分散……需要字幕

40分钟前
  • ↙↙↙
  • 还行

上海电影资料馆,散场后还给每个人都送了一罐蜂蜜,哈哈

43分钟前
  • RayonVert
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长知识

44分钟前
  • 叔是
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Three of us again~

49分钟前
  • 德吉
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第45人看过。We should reflect on ourselves.连英文字幕都出错。。。

53分钟前
  • royalwyx
  • 力荐

密集恐惧了……

57分钟前
  • Jean4you
  • 还行

more! more! more! 是资本主义带我们走向灭亡,还是人性?

59分钟前
  • Ro-Ro-Rock
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人的罪恶

1小时前
  • La Roca
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杀人蜂把愚蠢、贪婪的人类统统蛰死算了

1小时前
  • misty
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