风暴之土

LONDON (Reuters) - Gay characters and themes have become so common in film that it came as a shock when director Adam Csaszi said he changed his movie based on a true story about a gay footballer and his lover in rural Hungary because the reality was too brutal. Speaking at the Berlin film festival, Csaszi said what actually happened in the incident on which his film "Viharsarok" ("Land of Storms"g) is based is that two gay men were killed by a third man who chopped up their bodies. "If I told the real story...then the motive of the murder would be jealousy and not this homophobia in society," Csaszi told an audience at the film's Berlin premiere on Saturday. He said he wanted to show that the local man growing up in a deeply religious rural environment, finding that he is attracted to men, "has no set of tools on how to deal with this homophobia and this is actually the motive of the murder". Since Ang Lee's classic 2004 gay cowboy movie "Brokeback Mountain", or perhaps the even earlier French film "La Cage Aux Folles", gay-themed movies and characters have become increasingly mainstream. But the offerings at the 64th Berlin International Film Festival, known officially as the Berlinale, illustrate a sharp divide between how the subject is treated in societies where homosexuality is no longer taboo, and places where the sight of a man kissing a man or a woman necking with another woman generates hostility, or sometimes violence. In American director Ira Sachs' "Love Is Strange", screened in Berlin, two men who have been in a relationship for four decades take advantage of liberalized laws to get married - and promptly lose their New York apartment. John Lithgow, who stars as one of the married men, told a festival news conference that the movie isn't so much about gay people and same-sex marriage as it is a study of a "cranky old marriage, like my own". "People who have been committed to each other for 40 years should not be completely different just because they've been in a same-sex union," Lithgow said.Sachs and Lithgow said the film was not intended to advocate on behalf of same-sex marriage, but Lithgow said he hoped it would be seen in Russia, which he did not cite by name while leaving no doubt about his meaning. "There is a major nation in Europe which has a rule against propaganda on behalf of a gay lifestyle. I don't think our film is propaganda at all. I think it's real life," he said. HARSHER, DEADLIER "Real life" is harsher and sometimes deadly for the characters in Csaszi's "Viharsarok" and also in the Philippine-made movie "Unfriend", about the country's obsession with social media and mobile phones that can have the side effect of "outing" people and revealing jealously guarded secrets. The main character, 15-year-old David, is "out" in the online world, but his very Catholic grandmother with whom he lives has no idea. In a scene where he goes out to buy credit for the Internet, two young boys follow David, taunting him by calling him "faggot". "The Internet has changed the way gays navigate through society, but it has also pushed us to the side because we are in the Internet, we are safer there," Joselito Altarejos, the film's director, told Reuters. At the same time it has also become a menu - what do you want - tall, smooth, old? I don't know where this whole thing is taking us to, but at the same time we have to accept that this is how we live now." Csaszi's main character, the football player Szabolcs, returns to his late grandfather's derelict farm in the countryside after a crushing defeat of his club in Germany. His encounter with local stonemason Aron at first promises a healthy relationship but turns sour when a member of the soccer club who also fancies Szabolcs turns up. As word of Szabolcs', and then Aron's, sexual orientation gets around, they are both beaten up and ostracized by the locals in the small village where everyone is a churchgoer. "I think we do have different developments" in tolerance from one country to another, Ulrich Ortlieb, 30, who works for a film festival in Hamburg, said after the screening. "When they told that actually the real story was much heavier than they showed it to us (in the film) I thought then, 'Well, okay, in Hungary situation is even worse'."

伦敦（路透社）-同性恋人物和主题在电影中变得如此普遍

当导演亚当·卡萨齐（Adam Csaszi）表示他根据有关匈牙利农村地区一名同性恋足球运动员和他的爱人的真实故事改变了电影时，感到震惊，因为事实也是野蛮。 卡萨齐在柏林电影节上发表讲话时说，他的电影《风暴之地》所发生的事件中实际发生的事是两名男同性恋者被第三人杀害且分尸。 卡萨齐在电影的柏林首映礼上对观众说：“如果我讲真实的故事……那么谋杀的动机就是嫉妒，而不是社会上的这种恐同心理。” 他说，他想证明这个当地人在一个深信宗教的乡村环境中成长，发现他被男人吸引了，“没有一套应对这种同性恋恐惧症的工具，这实际上是谋杀的动机” 。 自从李安（Ang Lee）2004年经典的同性恋牛仔电影《断背山》（Brokeback Mountain），甚至更早的法国电影《 La Cage Aux Folles》问世以来，以同性恋为主题的电影和角色已经越来越成为主流。 但是第64届柏林国际电影节（正式称为“柏林电影节”）上的节目表明，在不再是同性恋的社会中，如何对待这个主题与看到男人亲吻男人或女人的地方之间存在着巨大的分歧。与另一个女人的脖子产生敌意，有时甚至是暴力。 在柏林上映的美国导演艾拉·萨克斯（Ira Sachs）的《爱情很奇怪》中，有两个恋爱关系已经有40年历史的男人利用自由化的法律结婚，并迅速失去了在纽约的住所。 约翰·里斯高（John Lithgow）是已婚男人之一，他在节日新闻发布会上说，这部电影与同性恋和同性婚姻无关，因为它是对“像我一样的老旧婚姻”的研究。 利思高说：“彼此承诺40年的人不应只是因为他们处于同性婚姻而完全不同。”萨克斯和利思高说，这部电影的目的不是要代表同性-性婚姻，但利思高说，他希望能在俄罗斯看到这种婚姻。他没有举任何名字，但对此毫无疑问。 他说：“欧洲有一个主要国家代表同性恋生活方式进行宣传。我认为我们的电影根本不是宣传。我认为这是真实的生活。” 苛刻的经销商 对于切萨奇（Csaszi）的《维哈萨罗克（Viharsarok）》以及菲律宾电影《 Unfriend》中的角色而言，“现实生活”更为残酷，有时甚至是致命的。并揭示了被保护的嫉妒的秘密。 主角15岁的大卫在网络世界中处于“外出”状态，但与他住在一起的非常天主教的祖母却一无所知。在他出去购买互联网信用的场景中，有两个小男孩跟随大卫，称他为“同性恋”嘲弄他。 电影导演何塞利托·阿塔雷霍斯（Joselito Altarejos）告诉路透社记者：“互联网改变了同性恋者在社会中的导航方式，但它也将我们推向了一边，因为我们在互联网中，在那里我们更加安全。” 同时，它也已成为菜单-您想要什么-高大，光滑，古老？我不知道这一切将我们带到何处，但同时我们必须接受这就是我们现在的生活。” Csaszi的主要角色，足球运动员Szabolcs，在德国俱乐部遭到惨败之后，回到了已故祖父在乡下的废弃农场。 起初他与当地石匠阿隆的相遇保证了健康的关系，但是当足球俱乐部的成员也想起萨博尔奇时，他的遭遇就变酸了。 随着Szabolcs和Aron的性取向逐渐消失，他们都被这个小村庄里每个人都信奉教堂的小村庄的当地人殴打和排斥。 30岁的乌尔里希·奥尔特利布（Ulrich Ortlieb）为汉堡的一个电影节工作，他说：“我认为我们的容忍度在不同国家之间确实有不同的发展”。 “当他们告诉我真实的故事比他们在电影中向我们展示的真实故事要重得多时，我当时想，'好吧，在匈牙利，情况甚至更糟'。 －分割线－

翻译为机翻，有个别翻译不当之处麻烦指出，谢谢

无一例外，我很偏爱冷色调。

刚开始时觉得就是一般的电影情节，男主自我认同，挣扎，最后和爱人在一起，然后就是Happy Ending。但是看到最后，我看到的却是这个世界。

这个世界有多少人爱你，就会有多少人讨厌你。

看过上帝之国对于爱情的美好，看过请以你的名字拒呼唤我的遗憾，看过夏威夷里面的暧昧，还是得看看现实里的残忍。

我们面对别人的眼光究竟是怎样的一种态度，我们自己有数。

电影里的阿伦像极了我的第一任，在他出现的第一刻我变觉得无比熟悉，看完了我才想起是谁。性格很像，态度很像，最后，我突然想起我们是怎么分开的。我那个时候还没有完全自我认同，我还是在在意别人的眼光。也对于爱情抱着绝对的幻想。容不得一点瑕疵。

最后的最后，我杀掉了自己，认识自己，明白自己。

纵情声色，就准备好接受代价。

无惧风言，爱你所爱