君子协定

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主演:格利高里·派克,多萝西·麦克吉尔,约翰·加菲尔德,西莱斯特·霍姆,安妮·里维尔

类型:电影地区:美国语言:英语年份:1947

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 剧照

君子协定 剧照 NO.1君子协定 剧照 NO.2君子协定 剧照 NO.3君子协定 剧照 NO.4君子协定 剧照 NO.5君子协定 剧照 NO.6君子协定 剧照 NO.13君子协定 剧照 NO.14君子协定 剧照 NO.15君子协定 剧照 NO.16君子协定 剧照 NO.17君子协定 剧照 NO.18君子协定 剧照 NO.19君子协定 剧照 NO.20

 长篇影评

 1 ) 纪念

美国波士顿犹太人屠杀纪念碑上,刻着一个名叫马丁·尼莫拉的德国新教神甫留下的一段话:起初他们追杀共产主义者,我不是共产主义者,我不说话;接着他们追杀犹太人,我不是犹太人,我不说话;此后他们追杀天主教徒,我不是天主教徒,我不说话;最后他们奔我而来,再也没人站起来为我说话了。

 2 ) 撕开了遮羞布但只是撕开了一小条缝

典型的带着一些微空谈的理想主义片子。

前三分之二我都觉得是好的,直到菲尔偏执地与凯西吵架。

之前在地铁上看到一则教育意外极强的动画小短片,大讲的是主角买地铁票和上地铁的时候插队,然后他其他朋友就不和他玩了,他改过自新后朋友们纷纷说“今天来我家玩吧”“来我家”。结尾处菲尔笑着去找凯西和这个小短片一个路子哦,十分地让人一言难尽。再者,凯西不算是反犹太主义,只能算沉默的大多数/沉默的羔羊,混淆概念似乎只是为了铺一个对立,那段争吵也是一言难尽。

还有评论里被夸赞的酒店里与服务员的争吵,这嘴炮谁都可,且结尾处只是菲尔灰溜溜地回家。他只是当了两个月的犹太人,他当然能够保持抗争的心态去吵架,但是那些犹太人呢?减少冲突规避危险才是最省事的方法,那些一直受歧视但能保持长久的斗争心态的才是真的勇士。

其次聊聊电影试图刻画的四类人,反犹太主义人士(包括明着反以及潜意识反),犹太人,努力抗争的斗士,无动于衷的旁观者。

前三分之二的好,在于对于每一种类型的人都有非常鲜明的刻画,尤其在于无动于衷也是帮凶这个点(结合最近性侵n号房等事件),之后崩在斗士的过于理想主义以及对他人现实不反抗行为的厌恶。

也不知道我都写了些啥,但整体来说,片子的立意很好,但可能因为时代与政治等局限,不够深刻,依旧不敢深入刻画犹太家庭受到的更深层次的迫害。迫害立地不够扎实,矛盾就显得不够,给人的冲击是有的但也不足以让人发生改变,结尾处借凯西之口说出的“不能只是空谈”,没啥特别大的动力做出行动。

写这么多,只是觉得它可以更好,他撕开了遮羞布但只是撕开了一小条缝。

 3 ) 金句频出

“乘车离开旅馆时,我理解了在明明工作有空缺却被回绝的一切男男女女,理解了被大学或夏令营刷掉的一切青少年。我也理解了当你看到自己的孩子受到冲击而茫然的时候,你胸中燃起的愤怒。从那时起,我就把它看作是成年人对七、八、十来岁的孩子们,对少年男女们,对想要找到工作、参加夏令营或者进医学院的青年们发起的一场无休无止的进攻。而且我明白了,他们通过某种方式也知道了这一点——他们,那些为宪法和选举法案而争辩、而写作、而战斗的坚韧顽强的人。他们知道,观其果可以知其树,非正义会使大树腐朽败坏。他们知道,它的果实会褪色、病变,最终跌落到历史的黑暗土地上去,在那里,关于自由平等的其他梦想也曾霉烂掉。然而,在人心或国心中依然保持着对健全、合理的永恒抉择。”

“你知道么,亲爱的?我忽然想要活到很老、很老。我想要活着看看发生些什么事情。世界正在以非常奇怪的方式骚动着——也许这就是那个世纪,菲尔。也许这就是它所以这样动荡的原因。别的世纪都有过它们的动力,不是么?也许有朝一日人们远远回顾,看到我们这个世纪也有它自己的动力。也许它归根到底并不是美国世纪,也不是俄国世纪,也不是原子世纪。也许它将是捍卫自由观念的世纪——所有的自由。所有人的自由。我真想活着看到些这样的事情——即使是一个开头。我可能还要活很长的时间呢。亲爱的。”

结尾两段台词功力深厚。

 4 ) 君子不语,视为小人。

觉得电影《君子协定》在很多片段都是与苏打绿的《他举起右手点名》是契合的,世界只要继续任凭偏见游荡,那就远远不会只有一个希特勒。

【这是众人共谋的一个恶游戏】就像影片中的主角菲尔克林,当大假扮犹太人感受欺辱时,他觉得世界都邪恶了,这分丑陋源自众人带有邪恶意味的歧视。

【时间是不存在的 让恶梦喂养】永无休止的排斥,犹太人被隔离在所有规则之外,连时间都不属于他们,吃饭被嫌弃,工作被拒绝,生存的价值被无情剥夺。

【被逼迫着走了岔路,还能活着再见吗】虽然没有出现纳粹式的屠杀,但这精神谋杀也足以让犹太人无路可走,做好事做坏事不是评判犹太人的标准,因为他们生下就被贴上劣质标签,在娘胎里就被送上了一条阴暗无光的不归路。

【移民 俘虏 同性恋 吉普赛 犹太,有没有它这么恨我们的八卦】随着人类文明的滚滚向前,歧视从未退出历史舞台,只是在不断变换被歧视的角色,只是看谁这么倒霉被隔离开外。就像菲儿贴上犹太标签后,做什么都被有色眼镜看待,他成了异类。

【几十年后 世界会不会还一样】世界上绝对不会只有一个希特勒,希特勒只是代表了一种集体歧视的暴虐,看看餐厅里那些有优越感的上流人,看看那拒绝男主入住的酒店老板,在精神上的残酷丝毫不逊色希特勒。我们身边也还是一样,“他穷,不跟他玩”、“他是南方人,小气”、“他跟别人不一样,好奇怪”,这个世界就是一个炼人炉,循环往复。

【令人愤慨的不是受苦,而是受这苦没理由】菲尔儿子在学校受到辱骂,他天真的眼神里充满忧伤不解,他从来没有觉得犹太人怎样不好,可当他被当成犹太小孩时,没想到会被如此可怕对待,为什么会这样,凭什么?不应该!

【看官们 若有选择,你会当受害者或刽子手】菲尔和凯西的情感矛盾被这句歌词诠释了,你说你不歧视犹太人就可以安静的看着眼前被屈辱的犹太人么?在歧视偏见的环境里,你的沉默杀人于无形,因为你纵容了偏见的滋生,你助纣为虐,你侥幸苟活换来更多人的受难,你比那些直截了当的歧视者还让人愤恨,无作为是最大的作为,是大恶!

【因为他的不公,才有了第一个杀人犯】哪里有压迫哪里就有反抗,电影里只是战场前期的预示,如果没有人站出来抗争质疑,那么杀戮是平息仇恨的最好利器。

【天 毒气已四溢 我逐渐失去我】菲尔再被当成犹太人之后性格不再那么儒雅,他的环境让他悠闲不起来,他成了人世间过街喊打的老鼠,人们的愚钝让他一时间难以承受。他愤怒不解,想做些什么却连心爱的女人都不予以支持,龟缩犬儒。

(脱下你的衣和帽!)
我的手 (打开你的齿和嘴!)
我的脸(检查你的心和肾!)
我的疯狂 (剥离你的灵和魂!)
我 (为什么要相信你!)
我的手 (你哪里会是真理!)
我的脸(谁管是不是经典!)
我的疯狂(谁管有没有页数!)
我 (苏菲湿婆请解救!)
我的手 (圣哲神佛都入堕!)
我的脸 (轮回涅磐谁操纵!)
我的疯狂(如你一般怎么做!)
我 (出草火大风大中!)
我的手 (群星早已经坠落!)
我的脸(תשובה סליחה גאולה)
我的疯狂(ॐ मणि पद्मे हूँ)
嘘 别吵
想安稳睡个觉就等着进坟场
喂 使者 有橄榄枝
我看到人带来
我很想 想到家 脸觉得快 快乐
满口谵语 数到七 或许我有 罪
为何我有罪
若我说他也

一曲作罢,电影大团圆。这不是一部爱情电影,它主张反对歧视偏见,让地球上所有人平等自由的活着,我们都一样。原来鲁迅笔下的看客不仅仅是中国特产,吃瓜群众快快觉醒吧,你的熟视无睹只会助推社会的畸形,独善其身有时候的怯懦自保,站起来呐喊吧,用行动改变社会的样貌,做时代的粉刷匠。张口说话的力量不容小觑,一个人是耳旁风,千万人就是飓风。

 5 ) It's got to be more than talk.

标题就是全片看完映象最深的一幕,女主和犹太籍男配在餐厅里沟通后,女主大彻大悟。好故事不一定是好电影。二战结束后的两三年,反对反犹主义倡导人人自由平等的立意,记者选择假扮犹太人来体验生活的新颖题材,却让人觉得前半部分拖沓松散有很多无关情节,最后三十分钟矛盾爆发女主顿悟最后两人拥吻结束——对这个结局只能给一个黑人问号。对于电影实在知之甚少,但本片就是一种故事没说完,还有很多可以挖掘的更深的地方的感觉,更深刻更尖锐之后,不知道派克那张雕塑般的脸是不是一样那么适合本片。

“It's got to be more than talk.”这是男女主矛盾争吵的原点,沉默即帮凶。原来从小被教授的Keep silence不仅仅让鲁迅对我们生气,这是古今中外的通病。现在应该只会更严重吧。本片提到的是反犹主义,在现今社会已经不那么突出,那种族歧视问题呢,地域歧视呢,甚至对于艾滋病或同性恋的歧视呢。人性中凉薄的一面,非我族类其心必异的论调,关于歧视的行为一直在持续,希特勒也不是最后一个希特勒。我们没必要像影片中去假扮去体验,毕竟记者不是我们的饭碗,想象一下就好,想象这个人是我们的好朋友,是我们的家人时,我们还可以沉默嘛。“令人愤慨的不是受苦,而是受这苦没理由”苏打绿的歌词太棒了。这样想象,或者以后遇到这样的情况,我们会有站起来的勇气,站起来争论或至少转头就走。At least we will do something rather than keep silence.

另一个本片注意到的点,是这段台词。b站字幕真的很渣,听写不了英语原文很难过。“男人希望他的妻子,不仅仅是同居者,或他喜欢的女孩,或孩子的母亲,而是一个好朋友,可以在遇到怒涛时感同身受,不然就不能一起前进了。”其实女人也是,需要的不只是避风的港湾或赚钱的机器,而是可以风风雨雨一路前行又志同道合互相吸引的人。

 6 ) Intercultural Communication Issues in Gentleman’s Agreement

Gentleman’s Agreement is a movie that tells a story about a journalist’s experience of pretending to be a Jew to write an article about anti-Semitism.

What is problematic?
Anti-Semitism was thriving at that time. Jewish people could not even have a job because of their racial identity. Dominant white Christian culture did not tolerant Jewish culture. Therefore, Jewish people were suffering from discrimination in every aspect of their lives. For instance, Jewish people had to conceal their Jewish identity in order to get a job. In the movie, the Jewish secretary Wales had to change her name in order to get the job. And when Tommy’s classmates knew that Tommy was a Jew, they teased him and isolated him because of his Jewish identity. The dominant White Christian culture took control of the society at that time. The social environment at that time was full of discrimination and attacks to Jewish people. The ignorance to other culture made there was no room for other cultures. The dominant position of white Christian culture over Jewish culture resulted in the misunderstanding and lacking of knowledge about minor culture in the society. The Jewish people could not speak out their voices because they were suppressed by the dominant white culture, which led to the miscommunication between Christian people and Jewish people even though they had no intention to do so. For instance, Kathy as a typical “nice” Christian, thought that being silent and feeling guilty when someone told a joke depreciating Jews was an action to against anti-Semitism. She did not know that this was not enough, actions to against those anti-Semitism in her group was the most effective way to alleviate the situation of Jews.
Also, the journalist Philip also experienced ups and downs in his relationship with his fiancée Kathy because of Philip’s experiment of pretending to be a Jew. Philip tried to act and think like a Jew and experienced what a Jew might suffer at that time in person. While Kathy’s acts did not meet his criteria for a soul mate who can take the right side towards anti-Semitism. However, Kathy thought that she was against anti-Semitism and was on the same side as Philip. The way they perceive anti-Semitism is different because they have different personalities. Therefore, this miscommunication caused conflicts between them.

What are the power relations?
Dominant white culture was absolutely over the Jewish culture at that time. Dave is a real Jew and he grew up with Philip. Although Philip is not a Jew, he has strong empathy to what Jewish people feel because his relationship with Dave. However, Philip still had social power identity over Dave. However, Philip’s acts to call for rights for Jews were embedded in his dominant cultural identity. White Christians have totally right of speech at that time. They determined the social realities. No one would like to listen to a Jew’s opinion. Dominant culture would not treat them seriously. However, white Christian guy Philip’s experience and opinions about anti-Semitism became a hot topic at that time because it made people started to rethink the Jewish culture.
What I also noticed was that the masculinity was also over feminity . In their relationship, Philip’s masculinity is obvious. Kathy did not express what she really felt straightforwardly. She haven’t spoken her heart until when Philip criticized her that she has an inherent superiority feeling towards Jewish people and their relationship almost broke down. At that very moment, Kathy cried and argued to Philip that, “You are what you are for the on life you have”. She explained that she has no choice to choose born as a Christian. For Kathy, she thought she was no wrong because she born with her Christian identity. She insisted that she was in the “nice people” group. However, for Philip, Kathy’s inactive action towards anti-Semitism also supported anti-Semitism in some way. Besides, people have different expectation towards Kathy and Philip. In the ending part of the movie, Anne invited Philip for dinner and persuaded Philip that it was not Kathy’s duty to fight for the Jewish people. Kathy was not supposed to do that because of her gender.

How do you see people negotiating?
We can tell the difference between how women and men faces conflicts in a relationship in this movie. When facing conflict, different gender has different negotiation method towards it. When Philip and Kathy had conflict, Philip told Kathy directly how he felt and argued with Kathy angrily. While for Kathy, she tended to hide her feelings and find the third party for help. We can tell that Philip was using low context to deal with the conflict, while Kathy responded to it in relatively high context. In the ending of the movie, when Philip was angry about Kathy because he thought she has superiority over Jews and she did nothing about it. Kathy found the third party, Philip and Kathy’s common friend Dave, to help analyzing the relationship. Therefore, Kathy has very interdependent personality while Philip is very independent. Philip told Kathy how he feels directly while Kathy hadn’t spoken out her idea until she thought they were going to break up. And then, Kathy turned to the third party for help to mend this relationship. That is very interdependent characteristic. In the society, women usually are expected to be submissive and supportive to their partner, even though they may not agree to them. However, a man is encouraged to act direct and controlling in a relationship, especially in a romantic relationship. Especially, Kathy is a divorced woman, so she acted even more careful and doubtful in the relationship.
Also, in the movie, the real Jew Dave and Ms. Wales seemed to be inactive in the anti-Semitism cause. They got used to hide their identity to blend in the society that controlled by the dominant culture. They tended to be silent. They had to rely on their dominant friends to speak out their needs for equality and rights. In contrast, Philip as a white Christian man who was educated and encouraged to speak, acted agitatedly when he was treated unfairly in the hotel and the post office because of his fake Jewish identity. Philip was sensitive and expressed all of his feelings of being sick of anti-Semitism when he pretended to be a Jew. This interesting contrast indicates that how social environment can affect people’s way to negotiate when facing with conflicts.

P.S. Kathy argued with Phil: "You are what you are for the one life you have, you can't help being born Christian instead of Jewish, it doesn't mean you glad you were, but I am glad, There, I said it, I'd be terrible, I'm glad I'm not. I could never make you understand that, You could never understand that it is a fact like being glad you are good-looking instead of ugly, rich instead of poor, young instead of old, healthy instead of sick. You could never understand that. It's just a practical fact,not judgement that I'm superior, but I could never make you see that. You twisted something into horrible, a conniving, an aiding and abetting a thing that I loathe as much as you do. "

When Kathy told Dave that a man said a joke about disgrace on Jewish, Kathy said that she hated it and wanted to tell everyone that this was not good, however, what she actually did was just sat there and felt ashamed.
"If you don't stop that joke, where do you stop?"

 短评

7.4;封閉的戲中戲,NPC亂入

6分钟前
  • 冰山李
  • 推荐

不知是累还是咋的,看到三十分钟时,已倒下去两回,汗。找个时间restart

8分钟前
  • Lena
  • 还行

#君子协定#再次感叹上世纪中期的电影绝赞 编剧功力一流 表演惊赞 绝对不缺悬疑和反转。本部片子体现犹太人为反犹所作的方方面面斗争 从此美国走向政治正确这条不归路 ps:jimmy秀杀光中国人这种话 在美华裔一定要学习犹太人奋起反抗。你自己都开着东亚病夫的玩笑 难怪别人看不起你。

10分钟前
  • munianhe
  • 力荐

卡赞秉持着自己话痨的特色,絮絮叨叨半天不入正题,演员虽然为电影增色不少,但是整体仍然过于平庸,缺乏戏剧性

15分钟前
  • 2wice
  • 还行

卡贊溫和中的力度還是太折中太照顧各方了。不小心看了眼劇情簡介,這是神馬?!

20分钟前
  • 667DJP
  • 推荐

剧中男主角的母亲在影片最后说的话中,有几句台词是这样的,我忽然希望我可以活到非常的老,可以看到下个世纪,或者那时候美国和俄罗斯都不会在有原子弹,所有的人们都可以快乐的生活在一起,所有自由的人们。。。,可惜啊新世纪的十年都过去了,拥有原子弹的国家不但没有减少还在不断的增加!

23分钟前
  • 秦诺诺
  • 推荐

放在那个年代的语境下,片子提出的问题还是很有勇气的,但终归只有主题,执行的很单薄,歧视方面的展示更多时候是辅佐男女主感情起伏的作用。Gregory Peck真的帅,感觉除此之外也就没什么让人能特别记住的了。

27分钟前
  • touya
  • 还行

美国影史上第一部直接以反犹太主义为题材的影片,伊利亚·卡赞的第三部作品就获得了包括最佳影片和最佳导演在内的多项奥斯卡奖项。不过现在看很多人会觉得比较沉闷,影片本身也有主题先行之嫌,认真有余,深刻不足。应该说这部影片能拿到奥斯卡与其政治正确是分不开的。

29分钟前
  • stknight
  • 推荐

77/100 解决问题最大的“敌人”从来不是那些制造麻烦的人,而是那些沉默不言、只想明哲保身的人,这部电影为这个主题设置的premise还是很巧妙的。起初我觉得耗费了太多的“笔墨”在男女主角的故事线上,但仔细一想,其实不是太多而是情绪太过含蓄,在戏剧性上差强人意。母亲最后的话总结了一切。

30分钟前
  • SELVEN
  • 推荐

關於猶太種族問題與納粹無關還是有些深度的。Peck真君子為寫深入報道以猶太身份公告于衆將心才能比心。歧視偏見的根深蒂固令人揪心。

31分钟前
  • vivien
  • 还行

An important and influential movie. Chinese audience may find the subject so distant that they are not able to appreciate it fully.

33分钟前
  • 我呼吸的空气
  • 推荐

沉默的大多数。恋情波折道出“太有原则的人某种程度上对身边人是残酷的”这点冲淡了宣传片味道。婚姻底线是在关乎原则的问题上两人一致。成熟男子和老母健康平等可交心的母子关系在电影里很少见。Dean Stockwell演儿子是个拽拽的小屁孩哩

35分钟前
  • paradiso
  • 推荐

3.5 看到派克的正派人士脸还以为只是难看的高大全电影,结果比想象的好太多了,虽然有些大段过于说教,前戏太长,但当时有这种剖析的勇气实属不易。不过话说回来假扮犹太人这个方法实在有点problematic= = 代入其他的minoritiy人群看看呢?就...很怪。老妈很出彩。然后没想到看到了还是颗小豆丁的Dean扮演派克的儿子,古灵精怪,笑起来跟长大后一模一样,可爱到尖叫!

37分钟前
  • JulianaFrink
  • 还行

犹太偏见在当时的电影界属于禁忌主题。但随着二战集中营恐怖的全球广播,即使好莱坞其他几家公司仍因太过争议而依旧避而远之,非犹太裔的扎努克却认为将歧犹主题搬上银幕的时机已至。此作为之勇气,搁在今天实难体会。可要知当年,社会偏见始终无法见光。加之许多电影公司的老板自己就是犹太人,对于将此类敏感题材如何推向公众甚是顾虑。就连参演明星也都冒了很高的职业风险。……好在最终的结果尚佳。

38分钟前
  • 赱馬觀♣
  • 还行

點開時沒想到這麼好看啊!我喜歡!!話題很有種!從男主想到這個主意開始我就擔心會不會看到什麼很致鬱的內容,還好沒有把反猶太主義表現得太露骨。聯想到二戰的起因。主角的反抗常有一拳打在了棉花上的無力感。但在一個反猶太為默認規則的社會(原來片名是這個意思),男主最後的文章能被出版,這就已經比我們了不起多了,很多值得思考的台詞。同時自嘲我的自我審核腦(我不怪我自己)我希望男主和Anne在一起啊,很勇敢很漂亮很正直啊,完全不輸女主(就覺得她很像《彗星美人》裡的編劇太太,一查果然是!這部片子裡好看多了!)

43分钟前
  • Ivy
  • 力荐

有段台词非常应景:你知道么,亲爱的?我忽然想要活到很老、很老。我想要活着看看发生些什么事情。世界正在以非常奇怪的方式骚动着——也许这就是那个世纪。也许这就是它所以这样动荡的原因。别的世纪都有过它们的动力,不是么?也许有朝一日人们远远回顾,看到我们这个世纪也有它自己的动力。也许它归根到底并不是美国世纪,也不是俄国世纪,也不是原子世纪。也许它将是捍卫自由观念的世纪——所有的自由。所有人的自由。我真想活着看到些这样的事情——即使是一个开头。我可能还要活很长的时间呢。

44分钟前
  • shininglove
  • 还行

卡赞和派克真的是左翼绝配

48分钟前
  • 上林苑
  • 推荐

未经他人苦,莫劝他人善。即使是在二战后的美国,对犹太人的抗拒和歧视也无处不在。找工作,住酒店,都有心照不宣的潜规则。因为犹太人的身份,相爱的人难以结合,孩子在学校被孤立,为了谋生,有些犹太人甚至被迫放弃信仰,隐姓埋名换个美国名字,才能溶入社交生活。而造成反犹主义成为社会现象的,是表面上支持犹太人,实际上却心存偏见的普通人,是明明看到对待犹太人的种种不公,却沉默不语,明哲保身的大众,甚至是犹太群体自身也不自信,相互碾压。中国人应该对种族歧视有更深的切肤之痛,毕竟过去几百年我们一直被西方世界看低。这些年国力强大一些后,国际地位还没有上升,却开始了对黑人的鄙视,称黑人是劣等民族,不应通婚保持血统纯正。这是在赞成白人应该鄙视黄种人吗?自己制造一条鄙视链,啪啪打脸之余还作茧自缚。

53分钟前
  • 萌萌妈妈
  • 力荐

能拿奥斯卡只能是政治需要,说犹太人歧视怎么不敢说美国的黑人歧视?讨巧的时代性电影,空洞得和现在中国拍的红色电影差不多。,男主角除了愤怒还是愤怒,女配角抛几个媚眼就拿最佳女配角,最让人恶心的是结局两人又在一起了,原来奥斯卡评委喜欢的是这样的狗血剧

54分钟前
  • 人可文人青
  • 很差

《君子协定》以第二次世界大战后,美国社会对犹太人的种族歧视为背景,讲述了白人作家菲尔·格林为了撰写一系列关于反犹主义的文章,于是假扮成犹太人去切身体会他们的处境,并逐步改变自己对犹太人看法的故事。1948年,该片获得第20届奥斯卡金像奖最佳影片、最佳导演、最佳女配角奖。-百度百科

56分钟前
  • Panda的影音
  • 还行