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剧情介绍
又快又贱又失控电影免费高清在线观看全集。
驯兽师戴维•胡佛（Dave Hoover）、园艺师乔治•蒙德卡（George Mendonça）、鼹鼠专家雷•门兹（Raymond A. Mendez）、机器人发明家罗德尼•布洛克斯（Rodney Brooks），这四个看起来全不搭调的人被聚集在同一个影片中。他们畅谈自己的人生、工作以及点点滴滴的感悟，这四个似乎风马牛不相及的行业，隐约却又有着些许关联。
本片荣获1997年波士顿影评人协会奖最佳纪录片奖、1998年弗罗里达影评人协会奖最佳纪录片奖、1998年独立精神奖真实奖、1998年堪城影评人协会奖最佳纪录片奖、1998年美国国家影评人协会奖最佳纪录片奖、1997年纽约影评人协会奖最佳纪录片奖、1997年得州影评人协会奖最佳纪录片奖。
长篇影评
1 ) Essentialism
This film by Errol Moris features four characters with their separate, highly specialized but extraordinary careers: a lion trainer, a topiary sculptor, a mole-rat specialist, and a robot scientist.
Back to the title of this film, I felt “fast, cheap and out of control” aims to describe the process of how human’s essential needs being applied into actions, and how the eagerness of this need itself empowers human self to create regardless of environmental chaos, and taking anything away from logic tangibles. Since all the action being come from their original motivation, and thus they all are “Fast, Cheap, and Out of Control”.
In order to present their life more objectively, Moris takes himself as an interviewer behind the camera, who have the same curiosity about four characters’ life as other audiences, allows four interviewees to tell their real life in face of the camera or the audience. I think this camera technique called “Interrotron” powerfully fulfills the traditional function of documentaries – presenting the truth. And the First person story telling can also win the trust from all audiences.
In this film, instead of establishing four characters’ narration one by one, Moris interplays, overlaps and interrelates these four separate and highly specialized subjects and makes them correspond to each other in the general theme.
Back to the title of this film, I felt “fast, cheap and out of control” aims to describe the process of how human’s essential needs being applied into actions, and how the eagerness of this need itself empowers human self to create regardless of environmental chaos, and taking anything away from logic tangibles. Since all the action being come from their original motivation, and thus they all are “Fast, Cheap, and Out of Control”.
In order to present their life more objectively, Moris takes himself as an interviewer behind the camera, who have the same curiosity about four characters’ life as other audiences, allows four interviewees to tell their real life in face of the camera or the audience. I think this camera technique called “Interrotron” powerfully fulfills the traditional function of documentaries – presenting the truth. And the First person story telling can also win the trust from all audiences.
In this film, instead of establishing four characters’ narration one by one, Moris interplays, overlaps and interrelates these four separate and highly specialized subjects and makes them correspond to each other in the general theme.
2 ) 只要是你喜欢的,就去做
一个驯兽师
一个机械师
一个园艺师
一个动物学家
4个男人在不同领域里
从事自己喜欢的事业
有开心 有失误 有理解 有欣慰
一个机械师
一个园艺师
一个动物学家
4个男人在不同领域里
从事自己喜欢的事业
有开心 有失误 有理解 有欣慰
7.1；God knows
平凡人的平凡事，平凡事有不平凡的精彩。很有诗意的电影。
Errol Morris is everything I want to be... at least for now
看不懂呀看不懂～～
When I thought it had to be done, it had to be done
每个受访者在旁白时，会不时插入其他三人工作生活情境的片段，通过这种语言与视觉内容错位的隐喻蒙太奇Morris将这四个职业全无相似性的个人联系起来（这就是Errol Morris和Adam Curtis为何这么相似）。四人的相似点：热爱自己的职业→对生命与秩序的思考
这四个人其实没半点关系，放在一起很牵强，如果独立看每一个会比较好，有点莫名其妙的纪录片
又快又贱又失控
"There may not be a place for humans in the future, if we're really successful at building these systems.They may, in fact, be our legacy to the future."
人研究动物，人修裁树木形似动物，人制造机器欲作动物，人作为人驯养动物 & 人作为动物本身。Observe, detail, touch, alarm & reflexive. 不同物种、不同材料间，如一个隐喻把两个词连通入同一意义空间，互感互新。倾斜平展、奇速顿慢、脱色颗粒、失察权变 & 知限超限。
A quirky approach to investigate the meaning of life through interviewing four unrelated passionate individuals. Very interesting and inspiring.
技法上，摄影机总是不断的尝试不同程度的倾斜位置，却全然不会对观看造成影响.以及存在一段鲜明的主题音乐贯穿终始，这样的做法也为影片四个职业创造了一种连续性，它的出现时常引起注意，以识别、理解人物的情感状态或是内在联系.
看完心里是很复杂的，既有希望，又心怀悲悯。自从人类诞生，我们又何时完全掌控过生命体的进化方式？即便是人类亲手创造的机器，也有不听使唤的时候。不过这没有《失衡生活》里的冷漠，四个普通人，活得都不容易，都热爱事业，为的是自己的价值体现，也是为了给后人留下点精神财富。神剪辑！神配乐！
四个摆男人，生命新旅程，挖哈哈哈哈
human, plant, machine, animal: just doing what's in our nature to do.
看似完全不相干职业，都提炼出共同的人与动物，自然，以及人和人之间关系的喻指。四个人物的素材穿插驯兽师老电影片段呼应，杂技团表演场面，动画等影像，大段音乐配合画面节奏，采访人物面对镜头，影像特效似梅里埃魔术，快慢镜头变化节奏感强烈，园艺师多动作场景表现
结构像《主角》
Morris has everything I love about a filmmaker! Non-fiction赛高！
就算是Erron Morris拍,这片也没什么意思.这种好莱坞式的精良制作似乎并不是这种平淡内容的最好搭配.也许拍得rough一点反倒没有这么无聊.
喜欢驯兽师和园艺师说的话，另外两人很烦。题材新颖，马戏团的遐想。